Mother, 1917. Stiftung Im Obersteg, Depositum im Kunstmuseum Basel
Smoker, 1917. Stiftung Im Obersteg, Depositum im Kunstmuseum Basel
Combing her hair, ca. 1921
Charley Chaplin, 1921
Balinesin I, 1926. Stiftung Im Obersteg, Depositum im Kunstmuseum Basel
Balinesin II, 1926. Stiftung Im Obersteg, Depositum im Kunstmuseum Basel
Musician with purple bull, 1926
Painter - Self-portrait with church, 1930
Double-portrait, 1930
Mogilevskys with devil, ca. 1937. RGALI, Moscow
The manner of Robert Genin developed significantly with time. In his work one can roughly distinguish following periods:
1904-1910
1911-1914
1915-1922
1923-1929; 1926 (Bali)
1929-1936
1936-1941
Catalogue-raisonné of paintings by Genin is already prepared, which includes 104 works. In preparation are catalogues of his pastels, aquarels, drawings and prints.
Books and Portfolios
1907-1918. "Jugend" magazine, 40 illustrations in total 1912. Portfolio of Sema group, München 1912. Figürliche Kompositionen. 20 Lithographs. Delphin-Verlag, München 1915. Die Frau. 11 Kriegsblätter. Lithographs. München 1916. Lithographisches Skizzenbuch. München 1917. Marsyas: 5 etchings to "Jael" by K. Edschmid, Band 1, H.1 and 5 etchings to "Des Kaisers Liebkosende" by C. Hauptmann,
Band 2, H.4, Berlin 1917. Freskoentwürfe für eine Speiseanstalt. 9 etchings. Printed at Heinrich Wetteroth, München 1918. Albert Weisgerber: a commemorative book, published by Münchener neuen Sezession.
Text by Wilhelm Hausenstein with an Illustration by Robert Genin. R. Piper, München 1919. Aus den Spelunken Berlins. 16 etchings by M. Fingesten (8) and R. Genin (8). Pan-Presse, Berlin 1919. 30 etchings. Published by Paul Cassirer, Berlin 1920. Menschen, 8 etchings. Published by Fritz Gurlitt, Berlin 1920. Zirkus, 7 etchings. Published by Fritz Gurlitt, Berlin 1920. Skizzen und Erinnerungen, Malerbücher Bd. 2, with 80 reproductions of drawings and 5 lithographs.
Published by Fritz Gurlitt, Berlin 1921. Die Geschichte des Grafen Erdmann Promnitz. Text by Jakob Wassermann with etchings by Robert Genin, Drei Masken Verlag, München 1922. Frühe Verse. Text by Hans Bethge with an etching by Robert Genin as frontispiece, Gyldendalscher Verlag, Berlin 1923. Verwehende Lieder. Text by Hans Bethge with an etching by Robert Genin as frontispiece, Gyldendalscher Verlag, Berlin 1923. Das Lied von der Erde. Lieder nach dem Chinesischen zur Symphonie von Gustav Mahler. Text by Hans Bethge with etchings
by Robert Genin, Gyldendalscher Verlag, Berlin 1923. Die Engel mit dem Spleen. Text by Kasimir Edschmid with lithographs by Robert Genin, Hans Heinrich Tillgner Verlag, Berlin 1922-1923. Die Schaffenden. Westheim, Paul (published by), Verlag Gustav Kiepenheuer, Weimar. – 2 etchings
(Liebespaar, Werbung) in the 2nd portfolio of the 3rd year (1922) and 2 etchings (Trauernde I,Trauernde II) in the 2nd portfolio of the 4th year (1923) 1925. Künstlerbekenntnisse: Briefe, Tagebuchblätter, Betrachtungen heutiger Künstler,
collected and published by Paul Westheim. Propyläen-Verlag, Berlin 1928. Die ferne Insel. Aufzeichnungen von meiner Fahrt nach Bali in Wort und Bild. Verlag des Volksverbandes der Bücherfreunde, Berlin 1929. In Memoriam Annie Wolff-Bayer (16.12.1884 - 27.08.1928). Requiem aeternam dona nobis domine, Düsseldorf 1939. Настенная живопись и ее техника // Архитектура СССР. 1939. № 6. С. 26-27. 1939. О подготовке к росписи Дворца Советов // Искусство. 1939. № 4. С. 125-129.
